Игрок 4735·Не рекомендует·12 ч в игре

As an action-adventure game built around Japanese folklore and urban legends, Ghostwire: Tokyo actually has a pretty interesting premise. Replacing traditional firearms with gesture-based elemental attacks, while mixing in spirits, talismans, bows, and other mechanics, gives the game a combat system that is instantly recognizable and distinct. Unfortunately, the game once again falls into the same open-world formulaic trap that plagued The Evil Within 2. The combat system looks fairly diverse, with plenty of weapons and tools to choose from. The problem is that it never develops the kind of meaningful tactical decision-making found in games like Resident Evil or The Evil Within. As the protagonist levels up, their abilities quickly become overpowered, turning the enemies from potentially threatening opponents into little more than punching bags. Naturally, combat only gets more repetitive and tedious as the game goes on. The early game puts a lot of effort into showing off deserted streets, bizarre weather, supernatural encounters, and a huge amount of visual material drawn from Japanese folklore. And honestly, it works pretty well. The atmosphere is one of the strongest parts of the game—at least at first. Unfortunately, as the campaign progresses, increasingly frequent combat encounters slowly drain that atmosphere away. By the end, Ghostwire: Tokyo becomes something of a hollow open-world package that is neither particularly scary nor especially atmospheric. And speaking of open-world bloat, the open-world structure only makes the game's problems more obvious. Tokyo often feels like a city that is designed to look rich rather than actually offer meaningful variety. The map is packed with repetitive collectibles, purification activities, and combat encounters, while genuinely unique experiences that can meaningfully change how you play are few and far between. If Tango had taken the time to refine the core gameplay and cut the experience down to a carefully curated linear adventure, Ghostwire: Tokyo could have been one of the standout games in the Japanese urban-horror genre. But once again, Tango took an absolutely fantastic premise and turned it into a boring open-world checklist. 5/10

Игрок 0429·Рекомендует·118 ч в игре

Well... I liked most of the game. But, as many other reviewers who are trying to be somewhat on point, I need to start with the major turn-offs. First, the game is based on Japanese culture. You may not be a fan, but at least it should not put you off by default. Because some players can't stand games with too much J-stuff. Second, the game consists majorly of clearing off the map by travelling and searching for collectibles, and constant random fights with respawning enemies, and both of these can be frustrating, not because of their difficulty, but primarily due to the drawn-out and repetitive nature of the process. You can skip some of it, if you're not hunting the complete badge, but it can still wear you out somewhere between story chapters. Speaking of the story, well... It has its moments, but surely it does not go deep enough, especially if you're skipping the secondary objectives and stuff. Finally, if you're aiming for achievements, there's some additional content, called Spider's Thread, and it's a bunch of levels not connected with the main story and organized by random rogue-like principle. That's where the game is really magnifying its weakest sides: zero point one percent story and motivation, 99 point 9 percent repetitive combat and grind. While there were some peculiar levels with changed perspective (the main game has only one or two such sequences, but it is a really cool experience), most of grind time in Spider's Thread is totally fruitless and disengaging. Now, I think I said enough to provide the base for the point why Ghostwire: Tokyo met with a rather cool reception, both from pro critics and common players, upon release. However... If you'll skip it, you lose a totally unique experience of a modern ninja-ghosthunter, with bizarre magic shooting fighting system, and full 3-dimensional gameplay, where you run, jump and fly between Tokyo's skyscrapers, interspersed with areas of old, linear development featuring one- or two-story Japanese houses... It's a really fun experience! Also, the setting allows authors to twist the major laws of physics at some points, and this again adds spice to the taste. All in all, I think Ghostwire: Tokyo is worth a 7/10 mark, especially if you are enjoying open-world games where you need to collect stuff.

Игрок 0265·Рекомендует·15 ч в игре

如果要打分的话，我大概会给7/10分。 场景：9.5分。场景是这部作品最吸引我的地方。东京雨夜的城市风光非常对我的胃口。美中不足的是很多地方的光效有点油腻，特别是积水反射，浪费了雨天的氛围感。 玩法：3分。味同嚼蜡。本质fps换皮，怪也没什么特点，交互感很弱。 剧情：6分。普通的亲情故事，并没有特别触动我的地方。结尾的演出不错，情绪渲染得比较到位，玩完还是稍微有点后劲的。 其他：人物建模中规中矩，不算特别好看，但好在没沾上政治正确。部分cg的特效有点难绷。 如果这部作品能减少一些灌水的战斗内容，增加散步观光体验的话，我可能会更喜欢吧。 （ 果然还是很希望有一天能亲自穿过涩谷全向十字路口、登上shibuya sky的观景台、在东京塔下漫步……当然，也很想亲眼看看花火大会和祭典，去富士山、诹访湖、浅草寺……在acg作品里已经见了太多次，说不向往是不可能的。 可惜因为政治局势的原因，现在去日本旅游已经是一个有争议的话题了。从初中等到现在，一直在跳票的回天终于上映了，然而已经不可能在大陆的荧幕上看到了。新海诚的新作应该也是看不上了。怀念能在影院看孤独摇滚剧场版的那段时期。 真切地希望世界和平。 ） 2026.9.29

Игрок 2706·Рекомендует·16 ч в игре

一款非常典型的游戏： 典型的虚幻引擎画面，典型的叙事节奏 典型的日本三件套：鸟居，救妹妹，被傲娇神秘人附身 射击方面有点巧思，但很难说算是一种创新；手指的结印设计的很好，甚至感觉火影忍者究极风暴都好 没有强制支线，支持快速旅行，能够靠身法强行逃课，主角机动性很高还没有坠落伤害 游戏体验意外的不错，就是光追有点拉

Игрок 3147·Рекомендует·69 ч в игре

I played this long back when it first released as PS5 Exclusive, and now that ive got to play it again as a PC Port, I love it even more. The combat is so satisfying, the story is fun to play thru, and everythingis just so fluid and polished, its even better the second time thru. play this game, its such a fun time

Игрок 9109·Рекомендует·96 ч в игре

A unique experience that lets you explore Tokyo without meeting anyone (which is perfect for introverts), the only downsides are that the gameplay gets too repetitive and the story leaves you hanging

Игрок 7887·Не рекомендует·1 ч в игре

Embora a premissa de usar magias elementais contra demônios japoneses seja interessante, o combate logo se tornou extremamente maçante para mim. O mapa, apesar de belíssimo, é genérico e abarrotado de atividades irrelevantes, bem ao estilo de alguns jogos da Ubisoft. Além disso, a narrativa até tem um início decente, mas logo adota um tom caricato e esquecível. Enfim, é uma experiência visualmente impressionante, porém esvaziada de substância. Recomendo apenas se a intenção for matar o tempo admirando a cidade ou usar como gameplay de fundo para algum vídeo ensaio.

Игрок 2619·Не рекомендует·18 ч в игре

Bof. Pas spécialement beau pour un jeu de 2022 en ultra ( Arkham Knight est plus beau par exemple et est sorti en 2015...). Aucune OST marquante. L'histoire qui aurait pu être intrigante au début es entièrement spoil au bout d'une heure. L'arbre de compétences est très convenu, aucune originalité. Les combats sont soporifiques au possible et je joue en hard. Les déplacements dans la ville sont pas fluides et de manière générale on est en permanence bloqué par un fog impénétrable. Enfin le seul élément qui prolonge la vie du jeu, c'est les petits machins a ramasser partout sur la map... Ce jeu n'a pas grand intérêt, je l'ai lancé sans conviction et acheté pour 9€ en promo, si j'eu su j'me serais abstenue.